{"html": "<div class=\"lf-doc\"><p class=\"lf-p\">Power of the Controller to award costs.</p>\n<p class=\"lf-p\">37.—The Controller shall, in any proceedings before him under this Act, have power by order to award to any party or parties to the proceedings such costs thereof as he may consider reasonable and to direct how and by which party or parties they are to be paid and any such order may be made a rule of court.</p>\n<p class=\"lf-p\">Appointment of assessors.</p>\n<p class=\"lf-p\">38.—(1) In any proceedings before him under this Act the Controller may, if he thinks fit, and shall, on the request of all the parties to the proceedings, appoint an assessor who is specially qualified in regard to all or any of the questions arising in the course of the proceedings to aid him in his consideration of those questions.</p>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(2)</span>There shall be paid by the Controller to an assessor appointed by him under this section such remuneration (if any) as the Minister may, with the consent of the Minister for Finance, prescribe.</div>\n<p class=\"lf-p\">Effects of orders of the Controller.</p>\n<p class=\"lf-p\">39.—(1) Where an order made on a reference under this Part of this Act with respect to a licence scheme is for the time being in force, any person who, in a case covered by the scheme as confirmed or varied by the order, does anything which— (a) apart from this subsection would be an infringement of copyright, but (b) would not be such an infringement if he were the holder of a licence granted in accordance with the scheme, as confirmed or varied by the order, in so far as the scheme relates to cases comprised in the order, shall, if he has complied with the requirements specified in the next following subsection, be in the like position, in any proceedings for infringement of that copyright, as if he had at the material time been the holder of such a licence.</p>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(2)</span>The said requirements are— (a) that, at all material times, the said person had complied with the terms and conditions which, in accordance with the licence scheme as confirmed or varied by the order, would be applicable to a licence covering the case in question, and (b) if, in accordance with the scheme as so confirmed or varied, any charges are payable in respect of such a licence, that at the material time he had paid those charges to the licensing body operating the scheme, or, if at any time the amount payable could not be ascertained, he had given an undertaking to the licensing body to pay the charges when ascertained.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(3)</span>Where the Controller has made an order under section 34 of this Act declaring that a person is entitled to a licence in respect of any matters specified in the order, then if— (a) that person has complied with the terms and conditions specified in the order, and (b) in a case where the order requires the payment of charges, he has paid those charges to the licensing body in accordance with the order, or, if the order so provides, has given to the licensing body an undertaking to pay the charges when ascertained, he shall be in the like position, in any proceedings for infringement of copyright relating to any of those matters, as if he had at all material times been the holder of a licence granted by the owner of the copyright in question on the terms and conditions specified in the order.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(4)</span>In the exercise of his jurisdiction in respect of licences relating to television broadcasts, the Controller shall have regard (among other matters) to any conditions imposed by the promoters of any entertainment or other event which is to be comprised in the broadcasts; and, in particular, the Controller shall not hold a refusal or failure to grant a licence to be unreasonable if it could not have been granted consistently with those conditions.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(5)</span>Nothing in the immediately preceding subsection of this section shall require the Controller to have regard to any such conditions as are mentioned in that subsection in so far as they purport to regulate the charges to be imposed in respect of the grant of licences, or in so far as they relate to payments to be made to the promoters of any event in consideration of the grant of facilities for broadcasting.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(6)</span>Where, on a reference to the Controller under this Part of this Act— (a) the reference relates to licences in respect of copyright in sound recordings or in television broadcasts, and (b) the Controller is satisfied that any of the licences in question are required for the purposes of organisations such as are mentioned in paragraph (b) of subsection (8) of section 17 of this Act, the Controller may, if he thinks fit, exercise his powers under this Part of this Act so as to reduce in the case of those organisations, to such extent as he thinks fit, the charges which he determines generally to be reasonable in relation to cases of the class to which the reference relates, or, if the Controller thinks fit, so as to exempt those organisations from the payment of any such charges.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(7)</span>The immediately preceding subsection of this section shall have effect, with the necessary modifications, in relation to applications under this Part of this Act as it has effect in relation to references thereunder.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(8)</span>In relation to copyright in a literary, dramatic or musical work, any reference in this section to proceedings for infringement of copyright includes a reference to proceedings brought by virtue of subsection (8) of section 27 of this Act.</div>\n<p class=\"lf-p\">Appeal to the High Court, 40.—(1) An appeal shall lie to the High Court from any order or decision of the Controller on any reference or application made to him under any provision of this Act, and the High Court may make such order confirming, annulling or varying the order or decision of the Controller as it thinks fit.</p>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(2)</span>Subject to subsection (3) of this section, a decision of the High Court under this section shall be final and not appealable.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(3)</span>By leave of the High Court, an appeal from a decision of the High Court under this section shall lie to the Supreme Court on a specified question of law.</div>\n<p class=\"lf-p\">Reference of cases of dispute to arbitration.</p>\n<p class=\"lf-p\">41.—(1) In the case of any dispute referred to the Controller under section 13 , section 17 or section 48 of this Act, the Controller may at any time— (a) if the parties to the dispute consent, or (b) if the case requires any prolonged examination of documents or other investigation which, in the opinion of the Controller, could not conveniently be made before him, order the case to be referred to an arbitrator agreed on by the parties, or, in the absence of such agreement, appointed by the Controller.</p>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(2)</span>The award made by an arbitrator in any case referred to him under this section shall, if the parties to the dispute consent to the reference, be final and binding on the parties.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(3)</span>An appeal shall lie to the High Court from any award made by an arbitrator in pursuance of a reference under this section to which the parties to the dispute did not consent and the High Court may make such order confirming, annulling or varying the award of the arbitrator as it thinks fit.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(4)</span>Subject to subsection (5) of this section, a decision of the High Court under this section shall be final and not appealable.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(5)</span>By leave of the High Court, an appeal from a decision of the High Court under this section shall lie to the Supreme Court on a specified question of law.</div>\n<p class=\"lf-p\">Controller may consult the Attorney General.</p>\n<p class=\"lf-p\">42.—The Controller may, in any case of doubt or difficulty arising in connection with the administration of any of the provisions of this Act, apply to the Attorney General for advice in the matter.</p>\n<h3 class=\"lf-part\">PART VI.</h3>\n<p class=\"lf-p\">Application of Act to other Countries.</p>\n<p class=\"lf-p\">Power to extend benefit of Act to other countries.</p>\n<p class=\"lf-p\">43.—(1) The Government may by order make provision for applying any of the provisions of this Act specified in the order for the benefit of another country, in any one or more of the following ways, so as to secure that those provisions— (a) apply in relation to literary, dramatic, musical or artistic works, sound recordings, cinematographic films or editions first published in that country as they apply in relation to literary, dramatic, musical or artistic works, sound recordings, cinematographic films or editions first published in the State; (b) apply in relation to persons who, at a material time, are citizens or subjects of that country as they apply in relation to persons who, at such a time are Irish citizens; (c) apply in relation to persons who, at a material time, are domiciled or resident in that country as they apply in relation to persons who, at such a time, are domiciled or resident in the State; (d) apply in relation to bodies incorporated under the laws of that country as they apply in relation to bodies incorporated under the laws of the State; (e) apply in relation to television broadcasts and sound broadcasts made from places in that country by one or more organisations constituted in or under the laws of that country as they apply in relation to television broadcasts or sound broadcasts made from places in the State by Radio Éireann.</p>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(2)</span>An order under this section may— (a) apply the provisions in question as mentioned in the preceding subsection, but subject to exceptions or modifications specified in the order; (b) direct that the provisions in question shall so apply either generally or in relation to such classes of works or other subject matters or classes of cases as may be specified in the order.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(3)</span>The Government shall not make an order under this section applying any of the provisions of this Act in respect of any country which is not a party to a Convention relating to copyright to which the State is also a party, unless the Government is satisfied that, in respect of the class of works or other subject matter to which those provisions relate, provision has been or will be made under the laws of that country whereby adequate protection will be given to owners of copyright under this Act.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(4)</span>The Government may by order revoke or amend an order under this section including an order under this subsection.</div>\n<p class=\"lf-p\">Copyright in publications of certain international organisations.</p>\n<p class=\"lf-p\">44.—(1) This section applies to the following organisations, namely, the United Nations and the organs thereof, and the specialised agencies in relationship therewith, the Organisation of American States and any other international organisation specified in an order made under subsection (6) of this section.</p>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(2)</span>Where a work which is an original literary, dramatic, musical or artistic work or a sound recording or cinematograph film is made by or under the direction or control of an organisation to which this section applies in such circumstances that— (a) copyright would not subsist in the work apart from this subsection, but (b) if the author or maker of the work had been an Irish citizen at the time when it was made, copyright would have subsisted in the work immediately after it was made and would thereupon have vested in the organisation, copyright shall subsist in the work as if the author or maker had been an Irish citizen when it was made, that copyright shall continue to subsist so long as the work remains unpublished, and the organisation shall, subject to the provisions of this Act, be entitled to that copyright.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(3)</span>Where a work which is an original literary, dramatic, musical or artistic work or a sound recording or cinematograph film is first published by or under the direction or control of an organisation to which this section applies in such circumstances that, apart from this subsection, copyright does not subsist in the work immediately after the first publication thereof, and either— (a) the work is so published in pursuance of an agreement with the author or maker which does not reserve to the author or maker the copyright (if any) in the work, or (b) the work was made in such circumstances that, if it had been first published within the State, the organisation would have been entitled to the copyright in the work, copyright shall subsist in the work (or, if copyright in the work subsisted immediately before its first publication, shall continue to subsist) as if it had been first published within the State, that copyright shall subsist until the end of the period of fifty years from the end of the year in which they were first published and the organisation shall, subject to the provisions of this Act, be entitled to that copyright.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(4)</span>The provisions of Parts II and III of this Act with the exception of those relating to the subsistence, duration or ownership of copyright, shall apply in relation to copyright subsisting by virtue of this section as they apply in relation to copyright subsisting by virtue of the said provisions.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(5)</span>An organisation to which this section applies which otherwise has not, or at some material time otherwise had not, the legal capacities of a body corporate shall have, and shall be deemed at all material times to have had, the legal capacities of a body corporate for the purpose of holding, dealing with and enforcing copyright and in connection with all legal proceedings relating to copyright.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(6)</span>The Government may, if it thinks fit, by order direct that the provisions of subsections (2), (3), (4) and (5) of this section shall apply to such international organisations as may be specified in the order.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(7)</span>The Government may by order revoke or amend an order under this section including an order under this subsection.</div>\n<p class=\"lf-p\">Extended application of provisions relating to broadcasts.</p>\n<p class=\"lf-p\">45.—(1) The Government may by order provide that, subject to such exceptions and modifications (if any) as may be specified in the order, such provisions of this Act relating to television broadcasts or to sound broadcasts as may be so specified shall apply in relation to the operation of wireless telegraphy apparatus by way of the emission (as opposed to reception) of electro-magnetic energy— (a) by such persons or classes of persons, other than Radio Éireann, as may be specified in the order, and (b) for such purposes (whether involving broadcasting or not) as may be so specified, as they apply in relation to television broadcasts, or, as the case may be, to sound broadcasts made by Radio Éireann.</p>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(2)</span>The Government may by order revoke or amend an order under this section including an order under this subsection.</div>\n<p class=\"lf-p\">Denial of copyright to citizens of countries not giving adequate protection to Irish works.</p>\n<p class=\"lf-p\">46.—(1) If it appears to the Government that the laws of a country fail to give adequate protection to Irish works to which this section applies, or fail to give such protection in the case of one or more classes of such works (whether the lack of protection relates to the nature of the work or the country of its author or both), the Government may make an order designating that country and making such provision in relation thereto as is mentioned in the following provisions of this section.</p>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(2)</span>An order under this section shall provide that, either generally or in such classes of cases as are specified in the order, copyright under this Act shall not subsist in works to which this section applies which were first published after a date specified in the order, if at the time of their first publication the authors thereof were— (a) citizens or subjects of the country designated by the order, not being at that time persons domiciled or resident in the State, or (b) bodies incorporated under the laws of the country designated by the order.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(3)</span>In making an order under this section the Government shall have regard to the nature and extent of the lack of protection for Irish works in consequence of which the order is made.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(4)</span>This section applies to the following works, that is to say, literary, dramatic, musical and artistic works, sound recordings and cinematograph films.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(5)</span>The Government may by order revoke or amend an order under this section including an order under this subsection.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(6)</span>In this section— “Irish work” means a work of which the author, at the time when the work was made, was a qualified person for the purposes of the relevant provision of this Act; “author”, in relation to a sound recording or a cinematograph film, means the maker of the recording or film; “the relevant provision of this Act”, in relation to literary, dramatic and musical works means section 8, in relation to artistic works means section 9, in relation to sound recordings means section 17, and in relation to cinematograph films means section 18 of this Act.</div>\n<h3 class=\"lf-part\">PART VII.</h3>\n<p class=\"lf-p\">Miscellaneous and Supplementary Provisions.</p>\n<p class=\"lf-p\">Assignments and licences in respect of copyright.</p>\n<p class=\"lf-p\">47.—(1) Subject to the provisions of this section, copyright shall be transmissible by assignment, by testamentary disposition, or by operation of law, as personal or moveable property.</p>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(2)</span>An assignment of copyright may be limited in any one of the following ways, or in any combination of two or more of those ways, that is to say— (a) so as to apply to one or more, but not all, of the classes of acts which by virtue of this Act the owner of the copyright has the exclusive right to do (including any one or more classes of acts not separately designated in this Act as being restricted by the copyright, but falling within any of the classes of acts so designated), (b) so as to apply to any one or more, but not all, of the countries in relation to which the owner of the copyright has by virtue of this Act that exclusive right, (c) so as to apply to part, but not the whole, of the period for which the copyright is to subsist, and references in this Act to a partial assignment are references to an assignment so limited.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(3)</span>No assignment of copyright (whether total or partial) shall have effect unless it is in writing signed by or on behalf of the assignor.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(4)</span>A licence granted in respect of any copyright by the person who, in relation to the matters to which the licence relates, is the owner of the copyright shall be binding on every successor in title to his interest in the copyright, except a purchaser in good faith for valuable consideration and without notice (actual or constructive) of the licence or a person deriving title from such a purchaser; and references in this Act, in relation to any copyright, to the doing of anything with, or (as the case may be) without, the licence of the owner of the copyright shall be construed accordingly.</div>\n<p class=\"lf-p\">Broadcasting of works incorporated in a cinematograph film.</p>\n<p class=\"lf-p\">48.—(1) Where the owner of the copyright in any literary, dramatic, musical or artistic work authorises a person to incorporate the work in a cinematograph film and Radio Éireann broadcasts the film, such broadcast shall not, in the absence of any agreement to the contrary, infringe such copyright.</p>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(2)</span>Where Radio Éireann broadcasts a cinematograph film in which a musical work is incorporated, the owner of the right to broadcast the work shall be entitled to receive an equitable remuneration from Radio Éireann.</div>\n<p class=\"lf-p\">Prospective ownership of copyright.</p>\n<p class=\"lf-p\">49.—(1) Where by an agreement made in relation to any future copyright, and signed by or on behalf of the prospective owner of the copyright, the prospective owner purports to assign the future copyright (wholly or partially) to another person (in this subsection referred to as the assignee), then if, on the coming into existence of the copyright, the assignee or a person claiming under him would, apart from this subsection, be entitled as against all other persons to require the copyright to be vested in him (wholly or partially, as the case may be), the copyright shall, on its coming into existence, vest in the assignee or his successor in title accordingly by virtue of this subsection and without further assurance.</p>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(2)</span>Where, at the time when any copyright comes into existence, the person who, if he were then living, would be entitled to the copyright is dead, the copyright shall devolve as if it had subsisted immediately before his death and he had then been the owner of the copyright.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(3)</span>Subsection (4) of section 47 of this Act shall apply in relation to a licence granted by a prospective owner of any copyright as it applies in relation to a licence granted by the owner of a subsisting copyright subject to the modification that any reference in that subsection to the owner's interest in the copyright shall be construed as including a reference to his prospective interest therein.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(4)</span>In this Act “future copyright” means copyright which will or may come into existence in respect of any future work or class of works or other subject-matter, or on the coming into operation of any provisions of this Act, or in any other future event, and “prospective owner” shall be construed accordingly and, in relation to any such copyright, includes a person prospectively entitled thereto by virtue of such an agreement as is mentioned in subsection (1) of this section.</div>\n<p class=\"lf-p\">Copyright to pass under will with unpublished work.</p>\n<p class=\"lf-p\">50.—Where under a bequest (whether specific or general) contained in the will or a codicil to the will of a person who dies after the commencement of this section a person is entitled, beneficially or otherwise, to the manuscript of a literary, dramatic or musical work, or to an artistic work, and the work was not published before the death of the testator, the bequest shall, unless a contrary intention is indicated in the testator's will or a codicil thereto, be construed as including the copyright in the work in so far as the testator was the owner of the copyright immediately before his death.</p>\n<p class=\"lf-p\">Copyright in Government publications.</p>\n<p class=\"lf-p\">51.—(1) In the case of every original literary, dramatic, musical or artistic work, sound recording and cinematograph film made by or under the direction or control of the Government or a Minister of State— (a) if apart from this section copyright would not subsist in the work, copyright shall subsist therein by virtue of this subsection, and (b) in any case, the Government shall, subject to the provisions of this Part of this Act, be entitled to the copyright in the work.</p>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(2)</span>The Government shall, subject to the provisions of this Part of this Act, be entitled to the copyright in every original literary, dramatic, musical or artistic work, sound recording or cinematograph film first published in the State if first published by or under the direction or control of the Government or a Minister of State.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(3)</span>The copyright in any original literary, dramatic or musical work to which the Government is entitled by virtue of this section— (a) where the work is unpublished, shall continue to subsist so long as the work remains unpublished, and (b) where the work is published, shall subsist (or, if copyright in the work subsisted immediately before its first publication, shall continue to subsist) until the end of the period of fifty years from the end of the year in which the work was first published.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(4)</span>The copyright in an artistic work which belongs to the Government by virtue of this section— (a) where the work is an engraving or a photograph, shall continue to subsist until the end of the period of fifty years from the end of the year in which the work is first published, and (b) in the case of any other artistic work, shall continue to subsist until the end of the period of fifty years from the end of the year in which the work was made.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(5)</span>In the case of every sound recording or cinematograph film made by or under the direction or control of the Government or a Minister of State— (a) if apart from this section copyright would not subsist in the recording or film, copyright shall subsist therein by virtue of this subsection, and (b) in any case, the Government shall, subject to the provisions of this Part of this Act, be entitled to the copyright in the recording or film, and it shall subsist for the same period as if it were copyright subsisting by virtue of, and owned in accordance with section 17 or, as the case may be, section 18 of this Act.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(6)</span>The preceding provisions of this section shall have effect subject to any agreement made by or on behalf of the Government or any Minister of State with the author of the work, or the maker of the sound recording or cinematograph film, as the case may be, whereby it is agreed that the copyright in the work, recording or film shall vest in the author or maker, or in another person designated in that behalf in the agreement.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(7)</span>In relation to copyright subsisting by virtue of this section— (a) in the case of a literary, dramatic, musical or artistic work, the provisions of</div>\n<h3 class=\"lf-part\">Part II</h3>\n<p class=\"lf-p\">of this Act, with the exception of provisions thereof relating to subsistence, duration or ownership of copyright, and (b) in the case of a sound recording or cinematograph film, the provisions of</p>\n<h3 class=\"lf-part\">Part III</h3>\n<p class=\"lf-p\">of this Act, with the exception of provisions thereof relating to the subsistence or ownership of copyright, shall apply as those provisions apply in relation to copyright subsisting by virtue of Part II or, as the case may be,</p>\n<h3 class=\"lf-part\">Part III</h3>\n<p class=\"lf-p\">of this Act.</p>\n<p class=\"lf-p\">Broadcasts of sound recordings and cinematograph films and diffusion of broadcast programmes.</p>\n<p class=\"lf-p\">52.—(1) Where a sound broadcast or television broadcast is made by Radio Éireann, and a person, by the reception of that broadcast, causes a sound recording, whether made before or after the commencement of this section, to be heard in public or to be transmitted to subscribers to a diffusion service, he does not thereby infringe the copyright (if any) in that recording.</p>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(2)</span>Where a television broadcast or sound broadcast is made by Radio Éireann, and the broadcast is an authorised broadcast, any person who, by the reception of the broadcast, causes a cinematograph film to be seen or heard in public shall be in the like position, in any proceedings for the infringement of the copyright (if any) in the film under section 18 of this Act, as if he had been the holder of a licence granted by the owner of that copyright to cause the film to be seen or heard in public by the reception of the broadcast.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(3)</span>Where a television broadcast or sound broadcast is made by Radio Éireann, and the broadcast is an authorised broadcast, any person who, by the reception of the broadcast, causes a programme to be transmitted to subscribers to a diffusion service, being a programme comprising a literary, dramatic, or musical work, or an adaptation of such a work, or an artistic work, or a cinematograph film, shall be in the like position, in any proceedings for infringement of the copyright (if any) in the work or film, as if he had been the holder of a licence granted by the owner of that copyright to include the work, adaptation or film in any programme caused to be transmitted by him to subscribers to that service by the reception of the broadcast.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(4)</span>If, in the circumstances mentioned in either of the two last preceding subsections, the person causing the cinematograph film to be seen or heard, or the programme to be transmitted, as the case may be, infringed the copyright in question, by reason that the broadcast was not an authorised broadcast— (a) no proceedings shall be brought against that person under this Act in respect of his infringement of that copyright, but (b) it shall be taken into account in assessing damages in any proceedings against Radio Éireann in respect of that copyright, in so far as that copyright was infringed by Radio Éireann in making the broadcast.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(5)</span>For the purposes of this section, a broadcast shall be taken, in relation to a work or cinematograph film, to be an authorised broadcast if, but only if, it is made by, or with the licence of, the owner of the copyright in the work or film.</div>\n<p class=\"lf-p\">Use of copyright material for education.</p>\n<p class=\"lf-p\">53.—(1) Where copyright subsists in a literary, dramatic, musical or artistic work, the copyright shall not be taken to be infringed by reason only that the work is reproduced, or an adaptation of the work is made or reproduced— (a) in the course of instruction, whether at a school or elsewhere, where the reproduction or adaptation is made by a teacher or pupil otherwise than by the use of a duplicating process, or (b) as part of the questions to be answered in an examination, or in an answer to such a question.</p>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(2)</span>Nothing in the preceding subsection of this section shall apply to the publication of a work; and, for the purposes of section 11 of this Act, the fact that to a person's knowledge the making of an article would have constituted an infringement of copyright but for the preceding subsection of this section shall have the like effect as if, to his knowledge, the making of it had constituted such an infringement.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(3)</span>For the avoidance of doubt it is hereby declared that, where a literary, dramatic or musical work— (a) is performed in class, or otherwise in the presence of an audience, and (b) is so performed in the course of the activities of a school, by a person who is a teacher in, or a pupil in attendance at, the school, the performance shall not be taken for the purposes of this Act to be a performance in public if the audience is limited to persons who are teachers in, or pupils in attendance at, the school, or are otherwise directly connected with the activities of the school.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(4)</span>For the purposes of the last preceding subsection of this section a person shall not be taken to be directly connected with the activities of a school by reason only that he is a parent or guardian of a pupil in attendance at the school.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(5)</span>Subsections (3) and (4) of this section shall apply in relation to sound recordings, cinematograph films and television broadcasts as they apply in relation to literary, dramatic and musical works, subject to the modification that any reference to performance shall be construed as a reference to the act of causing the sounds or visual images in question to be heard or seen.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(6)</span>Nothing in this section shall be construed— (a) as extending the operation of any provision of this Act as to the acts restricted by copyright of any description, or (b) as derogating from the operation of any exemption conferred by any provision of this Act other than this section.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(7)</span>In this section “duplicating process” means any process involving the use of an appliance for producing multiple copies.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(8)</span>The Minister may, after consultation with the Minister for Education, make an order under this section designating any educational establishment or any type or description of educational establishment specified in the order to be a school for the purposes of this section.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(9)</span>The Minister may at any time, after such consultation as aforesaid, revoke or amend an order under this section.</div>\n<p class=\"lf-p\">False attribution of authorship.</p>\n<p class=\"lf-p\">54.—(1) The restrictions imposed by this section shall have effect in relation to literary, dramatic, musical or artistic works; and any reference in this section to a work shall be construed as a reference to such a work.</p>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(2)</span>A person (in this subsection referred to as the offender) contravenes those restrictions as respects another person if, without the licence of that other person, he does any of the following acts in the State, that is to say, he— (a) inserts or affixes that other person's name in or on a work of which that person is not the author, or in or on a reproduction of such a work, in such a way as to imply that the other person is the author of the work, or (b) publishes, or sells or lets for hire, or by way of trade offers or exposes for sale or hire, or by way of trade exhibits in public, a work in or on which the other person's name has been so inserted or affixed, if to the offender's knowledge that person is not the author of the work, or (c) does any of the acts mentioned in the last preceding paragraph of this subsection in relation to, or distributes, reproductions of a work, being reproductions in or on which the other person's name has been so inserted or affixed, if to the offender's knowledge that person is not the author of the work, or (d) performs in public, or broadcasts, a work of which the other person is not the author, as being a work of which he is the author, if to the offender's knowledge that person is not the author of the work.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(3)</span>The last preceding subsection of this section shall apply where, contrary to the fact, a work is represented as being an adaptation of the work of another person as it applies where a work is so represented as being the work of another person.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(4)</span>In the case of an artistic work which has been altered after the author parted with the possession of it, the said restrictions are contravened, in relation to the author, by a person who in the State, without the licence of the author— (a) publishes, sells or lets for hire, or by way of trade offers or exposes for sale or hire the work as so altered, as being the unaltered work of the author, or (b) publishes, sells or lets for hire, or by way of trade offers or exposes for sale or hire a reproduction of the work as so altered, as being a reproduction of the unaltered work of the author, if to his knowledge it is not the unaltered work, or as the case may be, a reproduction of the unaltered work, of the author.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(5)</span>Subsections (2), (3) and (4) of this section shall apply with respect to anything done in relation to another person after that person's death as if any reference to that person's licence were a reference to a licence given by him or by his personal representatives, so, however, that nothing in those subsections shall apply to anything done in relation to a person more than twenty years after that person's death.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(6)</span>In the case of an artistic work in which copyright subsists, the said restrictions are also contravened, in relation to the author of the work, by a person who in the State— (a) publishes, or sells or lets for hire, or by way of trade offers or exposes for sale or hire, or by way of trade exhibits in public, a reproduction of the work, as being a reproduction made by the author of the work, or (b) distributes reproductions of the work as being reproductions made by the author of the work, if (in any such case) the reproduction or reproductions was or were to his knowledge not made by the author.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(7)</span>The proceeding provisions of this section shall apply (with the necessary modifications) with respect to things done, in relation to two or more persons in connection with the same work.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(8)</span>The restrictions imposed by this section shall not be enforceable by any criminal proceedings; but any contravention of those restrictions, in relation to a person, shall be actionable at his suit, or, if he is dead, at the suit of his personal representatives, as a breach of statutory duty.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(9)</span>Any damages recovered under this section by personal representatives, in respect of a contravention committed in relation to a person after his death, shall devolve as part of his estate, as if the right of action had subsisted and had been vested in him immediately before his death.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(10)</span>Nothing in this section shall derogate from any right of action or other remedy (whether civil or criminal) in proceedings instituted otherwise than by virtue of this section; so, however, that this subsection shall not be construed as requiring any damages recovered by virtue of this section to be disregarded in assessing damages in any proceedings instituted otherwise than by virtue of this section and arising out of the same transaction.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(11)</span>In this section “name” includes initials or a monogram.</div>\n<p class=\"lf-p\">Register to be kept by proprietors of theatres, etc.</p>\n<p class=\"lf-p\">55.—(1) It shall be the duty of the proprietor of every theatre, hall, room or other place, in which dramatic works are performed to keep or cause to be kept in such theatre, hall, room, or place a register, in the form prescribed by the Minister by rules, of all dramatic works performed in such theatre, hall, room, or place in the presence of persons who have paid for admission to the performance, and within twelve hours after each performance to enter or cause to be entered in such register such particulars of the work and of the person presenting it as shall be prescribed by rules made by the Minister.</p>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(2)</span>Every register kept in pursuance of this section may be inspected at all reasonable times by any person who is the author of or owner of the copyright in any published work and copies of the register or of any part thereof may be made by the person.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(3)</span>The Minister may make rules prescribing all or any of the following matters, that is to say:— (a) the form of the register to be kept in pursuance of this section, (b) the particulars to be entered in the register in respect of dramatic works, and of the person presenting them, (c) defining the person who is to be deemed, in respect of any particular dramatic work, to be presenting it.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(4)</span>If any person who is required by this section to keep, or cause to be kept, a register— (a) fails to keep the register or to cause it to be kept, or (b) fails to make or cause to be made in the register within the time prescribed by this section any entry required by or under this section to be made therein, or (c) fails to produce the register for the inspection of any person entitled under this section to inspect it or obstructs or impedes any such person in making such inspection, or (d) wilfully or negligently makes or causes or permits to be made in the register any entry which is false or misleading in any material particular, he shall be guilty of an offence and shall be liable on summary conviction to a fine not exceeding ten pounds.</div>\n<p class=\"lf-p\">Delivery of books to certain libraries.</p>\n<p class=\"lf-p\">56.—(1) The publisher of any book first published in the State after the commencement of this section shall, within one month after the publication, deliver, at his own expense, a copy of the book to the trustees of the National Library of Ireland, a copy of the book to the authority having control of the Library of Trinity College, Dublin, four copies of the book for or in accordance with the directions of the authority having control of the National University of Ireland for the use of the respective libraries of the three constituent Colleges of that University and of the library of St. Patrick's College, Maynooth, a recognised College of that University, and a copy of the book to the trustees of the British Museum, and such trustees and authorities respectively shall give a written receipt for every book so delivered to them:</p>\n<p class=\"lf-p\">Provided that the Minister may, on the application of the trustees of the National Library of Ireland, or of the authority having control of the Library of Trinity College, Dublin, or of any of the respective authorities having control of the three constituent Colleges of the National University of Ireland or St. Patrick's College, Maynooth, or of the trustees of the British Museum, make regulations excepting from the provisions of this subsection in regard to the trustees or authority making the application, publications wholly or mainly in the nature of trade advertisements, or such classes of such publications as may be specified in the regulations, and thereupon it shall not be necessary for the publisher of any publication so excepted to deliver the publication to such trustees or authority or for such trustees or authority to give a receipt therefor, unless as respects any particular publication a written demand for the delivery thereof is made by such trustees or authority.</p>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(2)</span>The publisher of any book first published in the State after the commencement of this section shall also, if written demand is made before the expiration of twelve months after publication, deliver within one month after receipt of that written demand or, if the demand was made before publication, within one month after publication, to some address in Dublin named in the demand a copy of that book for, or in accordance with the directions of, the authority having the control of each of the following libraries, namely: the Bodleian Library, Oxford, the University Library, Cambridge, the National Library of Scotland, and the National Library of Wales. In the case of an encyclopaedia, newspaper, review, magazine or work published in a series of numbers or parts, the written demand may include all numbers or parts of the work which may be subsequently published.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(3)</span>A copy of a book delivered to the trustees of the National Library of Ireland or the trustees of the British Museum in pursuance of the provisions of this section shall be a copy of the whole book with all maps and illustrations belonging thereto, finished and coloured in the same manner as the best copies of the book are published, and shall be bound, sewed or stitched together, and be printed on the best paper on which the book is printed.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(4)</span>A copy of a book delivered to any of the other authorities mentioned in this section in pursuance of the provisions of this section shall be printed on the paper on which the largest number of copies of the book is printed for sale, and shall be in the like condition as the books prepared for sale.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(5)</span>If a publisher fails to comply with this section, he shall be liable on summary conviction to a fine not exceeding twenty pounds and the value of the book, and the fine shall be paid to the trustees or authority to whom the book ought to have been delivered.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(6)</span>For the purposes of this section, “book” includes every part or division of a book, pamphlet, sheet of letterpress, sheet of music, map, plan, chart or table separately published, but shall not include any second or subsequent edition of a book unless such edition contains additions or alterations either in the letterpress or in the maps, prints, or other engravings belonging thereto.</div>\n<p class=\"lf-p\">Copyright in Irish legal tender notes, consolidated bank notes and in Irish coins.</p>\n<p class=\"lf-p\">57.—(1) Notwithstanding anything contained in</p>\n<h3 class=\"lf-part\">Part II</h3>\n<p class=\"lf-p\">of this Act, the copyright in legal tender notes issued whether before or after the commencement of this section by the Central Bank of Ireland (in this section referred to as the Bank) or issued before such commencement by the Currency Commission shall be perpetual and shall belong to the Bank.</p>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(2)</span>Notwithstanding anything contained in</div>\n<h3 class=\"lf-part\">Part II</h3>\n<p class=\"lf-p\">of this Act, the copyright in consolidated bank notes issued before the commencement of this section by the Bank or by the Currency Commission shall be perpetual and shall belong to the Bank.</p>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(3)</span>Notwithstanding anything contained in</div>\n<h3 class=\"lf-part\">Part II</h3>\n<p class=\"lf-p\">of this Act, the copyright in all coins to which this section applies and the copyright in the artistic work defining the design of any such coin shall be perpetual and shall belong to the Minister for Finance.</p>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(4)</span>(a) In the application of subsection (1) of section 3 of this Act to any such legal tender note or consolidated bank note or any coin to which this section applies references in the subsection to a substantial part of a work or other subject-matter shall be construed as references to any part of a work or other subject-matter. (b) Sections 12 and 14 of this Act shall not apply in relation to the copyrights referred to in this section.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(5)</span>Coins to which this section applies and the artistic work defining the design of any such coin shall, for the purposes of section 172 of the Act of 1927, be deemed not to be designs.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(6)</span>This section applies to coins issued under the Coinage Act, 1926 , or under that Act as amended, gold coins issued under the Currency Act, 1927 , and coins issued under the Coinage Act, 1950 .</div>\n<p class=\"lf-p\">Disposal of books of King's Inns Library, Dublin.</p>\n<p class=\"lf-p\">58.—Notwithstanding anything contained in the King's Inns Library Act, 1945 , or the enactments referred to therein or the Copyright Act, 1801, or the Copyright Act, 1836, the Benchers of the Honourable Society of King's Inns may sell or exchange any of the books of the King's Inns Library, Dublin, whether acquired before or after the commencement of this section.</p>\n<p class=\"lf-p\">Amendment of section 70 of Act of 1927.</p>\n<p class=\"lf-p\">59.—Section 70 of the Act of 1927 is hereby amended by— (a) the substitution in subsection (2) of “before the expiration of a period of five years and six months from the date of such registration” for “within the prescribed time before the expiration of the said five years”, and (b) the substitution in subsection (3) of “before the expiration of a period of ten years and six months from the date of such registration” for “within the prescribed time before the expiration of such second period of five years”.</p>\n<p class=\"lf-p\">Savings.</p>\n<p class=\"lf-p\">60.—(1) Nothing in this Act shall affect any right or privilege of the Government subsisting otherwise than by virtue of an enactment, and nothing in this Act shall affect any right or privilege of the Government or of any other person under any enactment, except in so far as that enactment is expressly repealed, amended or modified by this Act.</p>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(2)</span>Nothing in this Act shall affect the right of the Government or of any person deriving title from the Government to sell, use or otherwise deal with articles forfeited under the laws relating to customs or excise, including any article so forfeited by virtue of this Act or of any enactment repealed by this Act.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(3)</span>Nothing in this Act shall affect the operation of any rule of equity relating to breaches of trust or confidence.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(4)</span>Subject to the preceding provisions of this section, no copyright or right in the nature of copyright, shall subsist otherwise than by virtue of this Act or of some other enactment in that behalf.</div>\n<p class=\"lf-p\">FIRST SCHEDULE.</p>\n<p class=\"lf-p\">Transitional Provisions.</p>\n<h3 class=\"lf-part\">Section 6</h3>\n<p class=\"lf-p\">.</p>\n<h3 class=\"lf-part\">PART I.</h3>\n<p class=\"lf-p\">Provisions relating to Parts I and II of Act.</p>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">1.</span>For the purposes of the application of subsection (3) of section 3 of this Act to an act done before the commencement of a provision of this Act to which that subsection applies, references to copyright include references to copyright under the Act of 1911 and the Act of 1927, and, in relation to copyright under those Acts, references to the licence of the owner are references to the consent or acquiescence of the owner.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">2.</span>In the application of sections 8 and 9 of this Act to works first published before the commencement of those sections, subsection (2) of section 8, and subsection (3) of section 9 shall apply as if paragraphs (b) and (c) of subsection (2) of section 8 and of subsection (3) of section 9 were omitted.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">3.</span>In relation to any photograph taken before the commencement of section 9 of this Act, subsection (7) of that section shall not apply, but, subject to subsection (3) of that section, copyright subsisting in the photograph by virtue of that section shall continue to subsist until the end of the period of fifty years from the end of the year in which the photograph was taken.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">4.</span>(1) Subsections (2) to (4) of section 10 of this Act shall not apply— (a) to any work made as mentioned in subsection (2) or subsection (4) of that section, if the work was so made before the commencement of that section, or (b) to any work made as mentioned in subsection (3) of that section, if the work was or is so made in pursuance of a contract made before the commencement of that section.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(2)</span>In relation to any work to which the preceding subparagraph of this paragraph applies, subsection (1) of the said section 10 shall have effect subject to the following proviso, namely, that— (a) where, in the case of an engraving, photograph, or portrait, the plate or other original was ordered by some other person and was made for valuable consideration in pursuance of that order, then, in the absence of any agreement to the contrary, the person by whom such plate or other original was ordered shall be the first owner of the copyright; and (b) where an author was in the employment of some other person under a contract of service or apprenticeship and the work was made in the course of his employment by that person, the person by whom the author was employed shall, in the absence of any agreement to the contrary, be the first owner of the copyright, but where the work is an article or other contribution to a newspaper, magazine, or similar periodical, there shall, in the absence of any agreement to the contrary, be deemed to be reserved to the author a right to restrain the publication of the work, otherwise than as part of a newspaper, magazine, or similar periodical.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">5.</span>For the purposes of section 11 of this Act, the fact that, to a person's knowledge, the making of an article constituted an infringement of copyright under the Act of 1927, or would have constituted such an infringement if the article had been made in the place into which it is imported, shall have the like effect as if, to that person's knowledge, the making of the article had constituted an infringement of copyright under this Act.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">6.</span>Subsection (7) of section 12 of this Act does not apply to assignments made or licences granted before the commencement of that section.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">7.</span>References in section 13 of this Act to records previously made by, or with the licence of, the owner of the copyright in a work, include references to records previously made by, or with the consent of, the owner of the copyright in that work under the Act of 1927.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">8.</span>(1) In relation to a painting, drawing, engraving, photograph or cinematograph film made before the commencement of section 14 of this Act, subsection (5) of that section shall apply, if by virtue of subsection (3) of that section, the making of the painting, drawing, engraving, photograph or film would not have constituted an infringement of copyright under this Act if this Act had been in operation at the time when it was made.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(2)</span>In subsection (10) of section 14 of this Act, the reference to construction by, or with the licence of, the owner of the copyright in any architectural drawings or plans includes a reference to construction by, or with the licence of, the person who, at the time of the construction, was the owner of the copyright in the drawings or plans under the Act of 1927 or under any enactment repealed by that Act.</div>\n<h3 class=\"lf-part\">PART II.</h3>\n<p class=\"lf-p\">Provisions relating to Part III of Act.</p>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">9.</span>The repeal by this Act of Parts VI and VII of the Act of 1927 shall not affect the operation of subsections (1) and (8) of section 169 (which relates to copyright in mechanical musical instruments) of that Act as respects contrivances referred to in that section made before the commencement of section 17 of this Act.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">10.</span>Subsection (6) of section 17 of this Act shall not apply to a sound recording made before the commencement of that section and subsection (11) of the said section 17 shall not apply to assignments made or licences granted before the commencement of that section.</div>\n<p class=\"lf-p\">11.</p>\n<h3 class=\"lf-part\">Section 18</h3>\n<p class=\"lf-p\">of this Act shall not apply to cinematograph films made before the commencement of that section.</p>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">12.</span>The provisions of this Act, other than this paragraph, shall have effect in relation to a cinematograph film made before the commencement of section 18 of this Act as if it had been a dramatic work within the meaning of the Act of 1927; and the person who was the author of the work for the purposes of the Act of 1927 shall be taken to be the author thereof for the purposes of the said provisions as applied by this paragraph.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">13.</span>The provisions of this Act shall have effect in relation to photographs forming part of a cinematograph film made before the commencement of section 18 of this Act as those provisions have effect in relation to photographs not forming part of a cinematograph film.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">14.</span>Copyright shall not subsist by virtue of section 19 of this Act in any television broadcast or sound broadcast made before the commencement of that section.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">15.</span>For the purposes of subsection (4) of section 19 of this Act, a previous television broadcast or sound broadcast shall be disregarded if it was made before the commencement of that section.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">16.</span>For the purposes of subsections (5) to (7) of section 21 of this Act, the fact that, to a person's knowledge, the making of an article constituted an infringement of copyright under the Act of 1927, or would have constituted such an infringement if the article had been made in the place into which it is imported, shall have the like effect as if, to that person's knowledge, the making of the article had constituted an infringement of copyright under this Act.</div>\n<h3 class=\"lf-part\">PART III.</h3>\n<p class=\"lf-p\">Provisions relating to Part IV of Act.</p>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">17.</span>Nothing in section 22 of this Act shall apply to any infringement of copyright under the Act of 1927, or shall affect any proceedings under that Act, whether begun before or after the commencement of that section.</div>\n<p class=\"lf-p\">18.</p>\n<h3 class=\"lf-part\">Section 24</h3>\n<p class=\"lf-p\">of this Act shall not apply with respect to any article made, or, as the case may be, imported, before the commencement of that section; but, notwithstanding the repeal by this Act of section 160 of the Act of 1927 (which contains provisions corresponding to subsections (1) and (2) of the said section 24, proceedings may (subject to the provisions of that Act) be brought or continued by virtue of the said section 160 in respect of any article made or imported before the repeal, although the proceedings relate to the conversion or detention thereof after the repeal took effect.</p>\n<p class=\"lf-p\">19.</p>\n<h3 class=\"lf-part\">Section 25</h3>\n<p class=\"lf-p\">of this Act shall not apply to any licence granted before the commencement of that section, and shall not affect any proceedings under the Act of 1927, whether begun before or after the commencement of that section.</p>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">20.</span>For the purposes of section 27 of this Act the definition of “infringing copy” in section 24 of this Act shall apply as if any reference to copyright in that definition included a reference to copyright under the Act of 1927.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">21.</span>Where before the commencement of section 28 of this Act a notice had been given under section 165 of the Act of 1927 (which contains provisions corresponding to the said section 28) and that notice had not been withdrawn and had not otherwise ceased to have effect before the commencement of the said section 28, the notice shall have effect after the commencement of that section as if it had been duly given thereunder; but a notice shall not continue to have effect by virtue of this paragraph after the end of the period of six months beginning with the commencement of the said section 28.</div>\n<h3 class=\"lf-part\">PART IV.</h3>\n<p class=\"lf-p\">Provisions relating to Part V of Act.</p>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">22.</span>The provisions of</div>\n<h3 class=\"lf-part\">Part V</h3>\n<p class=\"lf-p\">of this Act shall apply in relation to licence schemes made before the commencement of that Part as they apply in relation to licence schemes made thereafter, subject to the modification that references in the said Part V to copyright shall be deemed to include references to copyright under the Act of 1927.</p>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">23.</span>In section 34 of this Act, references to a refusal or failure to grant or procure the grant of a licence, or to a proposal that a licence should be granted, do not include a refusal or failure, or a proposal made, before the commencement of that section.</div>\n<h3 class=\"lf-part\">PART V.</h3>\n<p class=\"lf-p\">Provision relating to Part VI of Act.</p>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">24.</span>Copyright shall not subsist by virtue only of section 44 of this Act in any sound recording published before the commencement of that section.</div>\n<h3 class=\"lf-part\">PART VI.</h3>\n<p class=\"lf-p\">Provisions relating to Part VII of Act.</p>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">25.</span>(1) Where by virtue of any provision of this Act copyright subsists in a work, any document or event which— (a) was made or occurred before the commencement of that provision, and (b) had any operation affecting the title to copyright in the work subsisting by virtue of the Copyright Act, 1911 , and the Copyright (Preservation) Act, 1929 , or the Act of 1927, or would have had such an operation if Parts VI and VII of the Act of 1927 had continued in force, shall have the corresponding operation in relation to the copyright in the work under this Act:</div>\n<p class=\"lf-p\">So, however, that, if the operation of any such document was or would have been limited to a period specified in the document, it shall not have any operation in relation to the copyright under this Act, except in so far as that period extends beyond the commencement of the provision of this Act by virtue of which copyright subsists in the work.</p>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(2)</span>For the purposes of the operation of a document in accordance with the preceding subparagraph of this paragraph— (a) expressions used in the document shall be construed in accordance with their effect immediately before the commencement of the provision in question, notwithstanding that a different meaning is assigned to them for the purposes of this Act; and (b) subsection (1) of section 49 of this Act shall not apply.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(3)</span>Without prejudice to the generality of subparagraph (1) of this paragraph, the proviso to subsection (2) of section 158 of the Act of 1927 shall apply to assignments and licences having effect in relation to copyright under this Act in accordance with that subparagraph, as if that proviso had been re-enacted in this Act.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(4)</span>In relation to copyright under this Act in a sound recording or in a cinematograph film, the preceding provisions of this paragraph shall apply subject to the following modifications, that is to say— (a) in the case of a sound recording, references to the copyright under the Act of 1911 or the Act of 1927 shall be construed as references to the copyright under the Act of 1911 or the Act of 1927, as the case may be, in records embodying the recording, and (b) in the case of a cinematograph film, references to the copyright under the Act of 1911 or the Act of 1927 shall be construed as references to any copyright under the Act of 1911 or the Act of 1927, as the case may be, in the film, in so far as it constituted a dramatic work for the purposes of the Act of 1911 or the Act of 1927, as the case may be, or in photographs forming part of the film.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(5)</span>In this paragraph “operation affecting the title”, in relation to copyright under the Act of 1911 or the Act of 1927, means any operation affecting the ownership of that copyright, or creating, transferring or terminating an interest, right or licence in respect of that copyright.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">26.</span>(1)</div>\n<h3 class=\"lf-part\">Section 50</h3>\n<p class=\"lf-p\">of this Act shall not apply to a bequest contained in the will, or a codicil to the will, of a testator who died before the commencement of that section.</p>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(2)</span>In the case of an author who died before the commencement of the said section 50, subsection (2) of section 167 of the Act of 1927 shall have effect as if it had been re-enacted in this Act.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">27.</span>Subsection (4) of section 51 of this Act shall apply in relation to photographs taken before the commencement of that section as if paragraph (a) and the words “in the case of any other artistic work” in paragraph (b) of that subsection were omitted.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">28.</span>Notwithstanding the repeal of section 168 of the Act of 1927, the copyright belonging to the Government, immediately before the commencement of this paragraph, in any work by virtue of the said section 168 shall continue for the unexpired portion of the period of fifty years mentioned therein.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">29.</span>(1) Paragraphs (b) and (c) of subsection (2) of section 54 of this Act shall apply to any such act as is therein mentioned, if done after the commencement of that section, notwithstanding that the name in question was inserted or fixed before the commencement of that section.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(2)</span>Subject to the preceding subparagraph of this paragraph, no act done before the commencement of the said section 54 shall be actionable by virtue of that section.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(3)</span>In this paragraph “name” has the same meaning as in the said section 54.</div>\n<h3 class=\"lf-part\">PART VII.</h3>\n<p class=\"lf-p\">Works Made Before 1st July, 1912.</p>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">30.</span>(1) This Part of this Schedule applies to works made before the 1st day of July, 1912.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(2)</span>In this Part of this Schedule “right conferred by the Act of 1911”, in relation to a work, means such a substituted right as, by virtue of section 24 of the Act of 1911, was conferred in place of a right subsisting immediately before the commencement of that Act.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">31.</span>Notwithstanding anything in Part I of this Schedule, neither subsection (1) or subsection (2) of section 8 of this Act, nor subsection (2) or subsection (3) of section 9 of this Act, shall apply to a work to which this Part of this Schedule applies, unless a right conferred by the Act of 1911 subsisted in the work immediately before the commencement of the said section 8 or section 9, as the case may be.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">32.</span>(1) Where, in the case of a dramatic or musical work to which this Part of this Schedule applies, the right conferred by the Act of 1911 did not include the sole right to perform the work in public, then, in so far as copyright subsists in the work by virtue of this Act, the acts restricted by the copyright shall be treated as not including those specified in subparagraph (3) of this paragraph.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(2)</span>Where, in the case of a dramatic or musical work to which this Part of this Schedule applies, the right conferred by the Act of 1911 consisted only of the sole right to perform the work in public, then, in so far as copyright subsists in the work by virtue of this Act, the acts restricted by the copyright shall be treated as consisting only of those specified in subparagraph (3) of this paragraph.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(3)</span>The said acts are— (a) performing the work or an adaptation thereof in public; (b) broadcasting the work or an adaptation thereof; (c) causing the work or an adaptation thereof to be transmitted to subscribers to a diffusion service.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">33.</span>Where a work to which this Part of this Schedule applies consists of an essay, article or portion forming part of and first published in a review, magazine or other periodical or work of a like nature, and immediately before the commencement of section 8 of this Act, a right of publishing the work in a separate form subsisted by virtue of the note appended to the First Schedule to the Act of 1911, that note shall have effect, in relation to that work, as if it had been re-enacted in this Act with the substitution, for the word “right” where it first occurs, of the word “copyright”.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">34.</span>(1) Without prejudice to the generality of subparagraph (1) of paragraph 25 of this Schedule, the provisions of this paragraph shall have effect where— (a) the author of a work to which this Part of this Schedule applies had, before the commencement of the Act of 1911, made such an assignment or grant as is mentioned in paragraph (a) of the proviso to subsection (1) of section 24 of that Act (which relates to transactions whereby the author had assigned, or granted an interest in, the copyright or performing right in a work for the full term of that right under the law in force before the Act of 1911), and (b) copyright subsists in the work by virtue of any provision of this Act.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(2)</span>If, before the commencement of that provision of this Act, any event occurred, or notice was given, which in accordance with paragraph (a) of the said proviso had any operation affecting the ownership of the right conferred by the Act of 1911 in relation to the work, or creating, transferring or terminating an interest; right or licence in respect of that right, that event or notice shall have the corresponding operation in relation to the copyright in the work under this Act.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(3)</span>Any right which, at a time after the commencement of that provision of this Act, would, by virtue of paragraph (a) of the said proviso, have been exercisable in relation to the work, or to the right conferred by the Act of 1911, if this Act had not been passed, shall be exercisable in relation to the work or to the copyright therein under this Act, as the case may be.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(4)</span>If, in accordance with paragraph (a) of the said proviso, the right conferred by the Act of 1911 would have reverted to the author or his personal representatives on the date referred to in that paragraph, and the said date falls after the commencement of the provision of this Act whereby copyright subsists in the work, then on that date— (a) the copyright in the work under this Act shall revert to the author or his personal representatives, as the case may be, and (b) any interest of any other person in that copyright which subsists on that date by virtue of any document made before the commencement of the Act of 1911 shall thereupon determine.</div>\n<h3 class=\"lf-part\">PART VIII.</h3>\n<p class=\"lf-p\">General and Supplementary Provisions.</p>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">35.</span>(1) The provisions of this paragraph shall have effect for the construction of any reference in any provision of this Act to qualified persons.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(2)</span>Where, at any time after the commencement of any provisions of this Act, a provision which contains such a reference has not been applied in the case of a country under section 43 of this Act, then, with respect to any time before the provision is so applied, the reference shall be construed as if the provision did apply to that country.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(3)</span>References in any order under section 175 of the Act of 1927 to works first published in the State shall, in relation to published works the authors of which were at the time of first publication subjects or citizens of a country to which the order relates be construed as references to works of which the authors were qualified persons at the time of such publication.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(4)</span>In relation to photographs taken before the commencement of section 9 of this Act, and to sound recordings made before the commencement of section 17 of this Act the definition of “qualified person” in subsection (5) of section 7 of this Act shall apply as if, in paragraph (b) of that subsection, for the words “body incorporated under the laws of the State”, there were substituted the words “body corporate which has established a place of business in the State”.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">36.</span>(1) The provisions of the two next following subparagraphs shall apply where— (a) immediately before the date on which Parts VI and VII of the Act of 1927 are repealed by this Act, provisions of the said Part VI have effect as applied by an order made in respect of a country under section 175 of the Act of 1927 as amended by section 11 of the Industrial and Commercial Property (Protection) (Amendment) Act, 1957 ; and (b) no order under section 43 of this Act applying any provisions of this Act in the case of that country, is made so as to come into force on or before that date.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(2)</span>The provisions of Part VI of the Act of 1927 as applied to any country by an order under the said section 175 (as so amended as aforesaid) shall continue to have effect, notwithstanding the repeal of the said Part VI, until the occurrence of whichever of the following events first occurs, that is to say: (a) the revocation of the order made under section 175 (as amended) of the Act of 1927; (b) the coming into operation of an order under section 43 of this Act applying any of the provisions of this Act in the case of the foreign country in question.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(3)</span>For the purposes of continuing, varying or terminating the operation of any of the provisions of Part VI of the Act of 1927 in accordance with the last preceding subparagraph, and for the purposes of any proceedings arising out of the operation of those provisions in accordance with that subparagraph, all the provisions of Parts VI and VII of the Act of 1927 (including the power to make orders under section 175 (as amended) of that Act) shall be treated as continuing in force as if none of those provisions had been repealed by this Act.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">37.</span>Without prejudice to the operation of any of the preceding provisions of this Schedule— (a) any enactment or other document referring to an enactment repealed by this Act shall be construed as referring (or as including a reference) to the corresponding enactment of this Act; (b) any enactment or other document referring to copyright, or to works in which copyright subsists, if apart from this Act it would be construed as a reference to copyright under the Act of 1927, or to works in which copyright subsists under that Act, shall be construed as referring (or including a reference) to copyright under this Act, or, as the case may be, to works or any other subject-matter in which copyright subsists under this Act; (c) any reference in an enactment or other document to the grant of an interest in copyright by licence shall be construed, in relation to copyright under this Act, as a reference to the grant of a licence in respect of that copyright.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">38.</span>(1) Except in so far as it is otherwise expressly provided in this Schedule, the provisions of this Act apply in relation to things existing at the commencement of those provisions as they apply in relation to things coming into existence thereafter.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">(2)</span>For the purposes of any references in this Schedule to works, sound recordings or cinematograph films made before the commencement of a provision of this Act, a work, recording or film, the making of which extended over a period, shall not be taken to have been so made unless the making of it was completed before the commencement of that provision.</div>\n<div class=\"lf-abs\"><span class=\"lf-abs-num\">39.</span>In this Schedule— “photograph” includes photolithograph and any work produced by any process analogous to photography, and has not the meaning assigned to it by section 2 of this Act; “the Act of 1911” means the Copyright Act, 1911 .</div>\n<p class=\"lf-p\">SECOND SCHEDULE.</p>\n<p class=\"lf-p\">Enactments Repealed.</p>\n<h3 class=\"lf-part\">Section 6</h3>\n<p class=\"lf-p\">.</p>\n<p class=\"lf-p\">Number and Year Short Title Extent of Repeal No. 16 of 1927.</p>\n<p class=\"lf-p\">The Industrial and Commercial Property (Protection) Act, 1927 .</p>\n<p class=\"lf-p\">Parts VI (other than section 172) and VII, in so far as not already repealed.</p>\n<p class=\"lf-p\">No. 13 of 1929.</p>\n<p class=\"lf-p\">The Industrial and Commercial Property (Protection) (Amendment) Act, 1929 .</p>\n<p class=\"lf-p\">Sections 10, 11 and 12.</p>\n<p class=\"lf-p\">No. 22 of 1942.</p>\n<p class=\"lf-p\">The Central Bank Act, 1942 .</p>\n<h3 class=\"lf-part\">Section 17.</h3>\n<p class=\"lf-p\">No. 32 of 1950.</p>\n<p class=\"lf-p\">The Coinage Act, 1950.</p>\n<h3 class=\"lf-part\">Section 18</h3>\n<p class=\"lf-p\">.</p>\n<p class=\"lf-p\">No. 13 of 1957.</p>\n<p class=\"lf-p\">The Industrial and Commercial Property (Protection) (Amendment) Act, 1957 .</p>\n<p class=\"lf-p\">Sections 8 , 9 , 10 , 11 , 12 and 13 .</p>\n<p class=\"lf-p\">No. 21 of 1958.</p>\n<p class=\"lf-p\">The Industrial and Commercial Property (Protection) (Amendment) Act, 1958 .</p>\n<p class=\"lf-p\">The whole Act (other than section 4).</p>\n<p class=\"lf-p\">Privacy Statement Accessibility European Legislation Identifier (PDF) Open Data License Ráiteas Príobháideachais Inrochtaineacht Aitheantóir Eorpach Reachtaíochta (ELI) Ceadúnas Sonraí Oscailte Liosta Fianán © Government of Ireland. Oireachtas Copyright Material is reproduced with the permission of the Houses of the Oireachtas © Rialtas na hÉireann. Atáirgtear ábhar faoi Chóipcheart le cead ó Thithe an Oireachtais</p></div>", "next": 0}